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Room 418: Monday Night
Door's not sitting in the window tonight, though she's got it open, and every so often she glances that way. Instead she's perched at the foot of her bed, when she's not moving restlessly around the room.
Summer classes are over, new ones will be starting up soon, the awful headmistress-woman is gone. It's reason enough to be restless, she supposes, but Door's not so much excited about the new year of school tonight, as she is worried about the bird who hasn't flown back through that open window for a fortnight now - and what that might say about how things are back home.
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[OOC: for
bridge_carson, but open for the roomie as well, if he'd like to jump in at any point. This is Door's second-to-last post before heading home - there'll be an open one tomorrow for anybody who'd like to say goodbye.]
Summer classes are over, new ones will be starting up soon, the awful headmistress-woman is gone. It's reason enough to be restless, she supposes, but Door's not so much excited about the new year of school tonight, as she is worried about the bird who hasn't flown back through that open window for a fortnight now - and what that might say about how things are back home.
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[OOC: for
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She moves to the window, and reaches to open a doorway within it between Here and There, so Chimney's not flying halfway round the world to get back.
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It takes a few minutes of fretful listening at the window, hearing the strange overlap of ocean and city between Fandom and London, before she hears the beating of wings in the air, but it does happen.
The bird that flaps through the opening and into Door's outstretched hand is almost unrecognizable as the one who flew away, though. She's soot-marked and bedraggled, one wing slightly bent.
"What happened to you?" Door asks, wide-eyed. ...And then repeats it in Pigeon, because that might help.
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//Tried to reach the coat but the great wolf-mouth caught me and tried to eat my head! Little you found inside and placed me free!//
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//Wolf-mouth! Crunch my wing and in a box with bars! Out was short you.//
Door turns to look at Bridge. "Someone... put her in a cage, I think."
//Crunch my head! Bad wolf-mouth and fox-face!//
"Wolf-mouth... and fox face?" It takes a moment for the thought to put itself rightside round in her head, and then Door pales. If that's physically possible given her usual complexion.
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She reaches for the little latch hidden beneath Chimney's chest-feathers. //Did you make it to the Marquis?//
Chimney ducks her beak. //Coat-man yes! Loud at me when I poked him but had to be flying.//
That gets a small smile from Door. "You poked him?"
The breastplate opens, and three small objects roll out into Door's hand. The third being a Tootsie Roll, of course, but the first two are rolled-up pieces of parchment.
"Two?" That's odd. de Carabas isn't exactly an extravagant letter-writer, whatever else about him might fall into that category. Door unrolls the first of them, the one on less ragged paper.
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"She must have been with him when we called her back," she says to Bridge, setting Chimney down on the bed with de Carabas' scroll beside her, so she can open the other one.
It's smaller, made not from writing paper, but a torn scrap of... a grocer's-sack, maybe, blotched with reddish-brown ink as if it was hastily spilled on one corner, then rolled up by someone whose fingers were covered in it.
When Door reaches the bottom of the note, she just stares at it, uncomprehending.
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No, she didn't find the body, but she saw the others; she'd been glad not to know for sure what they'd done to her little sister, though it didn't stop her imagining it.
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But the half-script handwriting, neat but childish, is familiar. Shaky, hasty, but if it's not the real thing, it's a good imitation.
"If it's real..." She hadn't ever let herself hope for that, even phrase it as a possibility. Wished things had turned out differently, that they were all still alive, yes, but not the other. She looks back at the note from the Marquis, telling her to stay here, that it's a trap.
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She glances at Bridge's hands. So are those, but unlike the other things, the moment he takes off those gloves, possible becomes either true... or not. Definitely not.
There's the urge not to hand over the note, to hold onto maybe, but it's a stupid urge. Definitely not is where she's been all along; it's a sad place, but not frightening. And the other... if the other is true then she's been here for a year, while her sister's been gods know where.
Door gives him the paper.
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A girl, a few years younger than Door, and looking so much like her that it can't be anyone else *but* her sister. Alone, afraid, but she's not hurt.
Bridge slips his glove back on and looks back up at Door. "It's really her," he says. "It's also a trap, like the Marquis said." He's not telling her not to go. *He* would go, if it were someone he loved, trap or no trap.
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He'll be right, of course, just like the trap she's not one bit surprised he was right about.
Funny how she doesn't care. No, strike that. Funny how it makes her grin with a sort of fierce, crazy happiness.
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